![]() Songlist: Naima, Love Is In Control, Stolen Moments, Take Five, I Belong to You, Stolen Moments Voicing: Mixed 5-8 Parts | 4732b | Sheet Music Collection | $11. It was one of the first Jazz songs with a time signature other than the standard 4/4 beat or 3/4 waltz time. 'Take Five,' which was conceived by Brubeck's saxophonist Paul Desmond, is in 5/4 with the accent pattern one two three four five, so each measure can be thought of as being split into. "Take 5" was commissioned by UNC for the Axidentals to sing on a special concert with the Dave Brubeck. Its called 'Take Five' because it was written in an unusual 5/4 meter. First tenor part can be sung by alto if necessary. (Minimum order 4 copies) 00-CHM03042 Showtrax CD Available. The rather difficult bridge gets split up between trombones and trumpets to make it a bit easier. A high, then low ending brings the piece to an impressive close. Take/Five is an electronic music producer & DJ who has received support from Diplo, Flosstradamus, T. Music by Paul Desmond Originally Performed by Dave Brubeck Quartet. A very nice take on this classic 5/4 tune. After going through the tune, it opens up for improvisation solos over the chorus, with the bass singers continuing the samba-bass feel while the upper voices do horn-type hits and pads behind the soloist. In Take Five, the key signature 5/4 means that the pieces has five crochets beats per measure and is positioned after a key signature of six flats, E flat minor. Actually Take 5 was originally written in 4/5 time - four beats per measure but based on fifth notes instead quarters. Randy has his "finger on the trigger" with this a cappella instrumental-style arrangement of the Quincy Jones' funk tune, "Love Is In Control." You'll have fun with this one! The first a cappella vocal version of this famous Chick Corea Latin classic, "Spain." This chart features a strong baritone or alto soloist in the rubato introduction, accompanied by thick vocal "spread voicings," then kicks into the familiar up-tempo samba feel, with quick octave unisons for all voices. To most people, Paul Desmonds classic jazz standard in 5/4 represents the height of intellectual sophistication. ![]() It features a female soloist, with rich broken-chord harmonizations beneath. InterpretaciĆ³n de la obra Take Five del compositor Paul Desmond por el cuarteto de saxofones Sickle Sax en el Teatro-Auditorio de Cuenca.Miembros del cuartet. This tender a cappella treatment of John Coltrane's beautiful ballad, "Naima," without lyrics.
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